10,806 Free Images of Black Ink And Pen

metropolitan museum of art black chalk pen and brown ink statens museum for kunst pen and black ink drawings in the metropolitan museum of art yale center for british art paper romanticism,fairy painting william blake

Landscape with a forest in which t.v. a farm or water mill is half hidden, Dankvart Dreyer

drawings by dankvart dreyer in the statens museum for kunst danish golden age

Magazine studies, i.a. of a Kala. Top: pencil scratch of pediment, Johan Lundbye, 1845

drawings by johan thomas lundbye in the statens museum for kunst realism

A Lion, Lying Toward the Right (on a Base), Giovanni Domenico Tiepolo

drawings by giovanni domenico tiepolo in the metropolitan museum of art drawings in the robert lehman collection (metropolitan museum of art)

Mother and Child, Eunice Pinney, circa 1815

drawings in the national gallery of art (washington, d.c.)girls with dolls in art

Rinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida, Giovanni Domenico Tiepolo

drawings by giovanni domenico tiepolo in the metropolitan museum of art drawings in the robert lehman collection (metropolitan museum of art)

Cardinal Paolo Sfondrato Kneeling Before Saint Cecilia, Accompanied by other Saints, Francesco Vanni, between 1563 and 1610

drawings by francesco vanni sienese school

Chr. VIII's monogram, three studies of a horse's head, borts or patterns., Johan Lundbye, 1839

drawings by johan thomas lundbye in the statens museum for kunst realism

Part of the outer, western part of St. Knud's church in Odense, Dankvart Dreyer, 1844

drawings by dankvart dreyer in the statens museum for kunst danish golden age

Three Figures (recto); Sketches of Kneeling Figures and Putti (verso), Domenico Mondo, between 1760 and 1806

domenico mondo baroque

Design for the Corner of a Decoration (recto); Sketch of Monumental Building with Four Temple-Front Entrances (verso), Jacques de Lajoue, circa 1730

drawings in the metropolitan museum of art jacques de lajoue

drawings by johan thomas lundbye in the statens museum for kunst realism

Sketch of stylized landscape with color indications on top of half-faded notes, Niels Larsen Stevns

drawings by niels larsen stevns in the statens museum for kunst pen and black ink

The wonderful fishing when Christ appears at the Sea of Tiberias (John 21,1-17), Hans Leonhard Schäufelein

drawings by hans schäufelein in the statens museum for kunst pen and black ink

A rider seen obliquely from behind riding towards vast landscape, Johan Lundbye, 1847

drawings by johan thomas lundbye in the statens museum for kunst realism

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, mid 1740s

drawings in the national gallery of art (washington, d.c.)rococo,baroque

Winged Putto Crowning a Seated Woman Who Looks to the Left, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

A Stag and Four Hinds on a Grassy Knoll (with Base), Giovanni Domenico Tiepolo, after 1770

drawings by giovanni domenico tiepolo in the metropolitan museum of art drawings in the robert lehman collection (metropolitan museum of art)

drawings by johan thomas lundbye in the statens museum for kunst realism

A Bull Lying Down, and Two Donkeys, in a Landscape, Giovanni Domenico Tiepolo, circa 1760–61

drawings by giovanni domenico tiepolo in the metropolitan museum of art drawings in the robert lehman collection (metropolitan museum of art)

Drawing, Eagle and Snake, ca. 1805, circa 1805

drawings from italy in the cooper–hewitt, smithsonian design museum - animals piancastelli fund in the cooper–hewitt, smithsonian design museum

A River God and Other Figures on a Parapet, Giovanni Battista Tiepolo, circa 1740

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

A Boar, Galloping to the Left, and a Sleeping Sow (on the Base), Giovanni Domenico Tiepolo

drawings by giovanni domenico tiepolo in the metropolitan museum of art drawings in the robert lehman collection (metropolitan museum of art)

St. Peter in front of Emperor Nero and St. Peter's Crucifixion, Master of the Aachen Altar

drawings by meister des aachener altars in the statens museum for kunst pen and brown ink over black chalk

Landscape with forest, in the foreground t.v. an oak tree. Below: The edge of a forest, Dankvart Dreyer

drawings by dankvart dreyer in the statens museum for kunst danish golden age

Drawing, Design for a Monochrome Wall Painting, Church of Corpus Domini, Bologna, Italy, Death of St. Caterina Vigri, 1687–94, Catherine of Bologna, 1687–94

drawings from italy in the cooper–hewitt, smithsonian design museum drawings in the cooper–hewitt, smithsonian design museum

Heuvellandschap, RP-T-1942-59, Pieter de Goeje, between 1789 and 1859

landscape drawings in the rijksmuseum amsterdam pieter de goeje

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Design for a sepulchral monument with a seated female figure; verso: Design for a statue of a standing male figure and fragment of a letter, Pieter Verbrugghen the Younger

drawings in the metropolitan museum of art drawings by pieter verbrugghen ii

Design for a sepulchral monument with a seated female figure; verso: Design for a statue of a standing male figure and fragment of a letter, Pieter Verbrugghen the Younger

drawings in the metropolitan museum of art drawings by pieter verbrugghen ii

Illustration for St. St. Bleachers: "Mowns". The carpenter at the coffin; f.o.t.h: the bride is adorned; f.n.t.: tree and butterfly, Hans Smidth, 1886

drawings by hans smidth in the statens museum for kunst black ink

Drawing, Saint Peter's Church, Alb, ca. 1870, Edward Burne-Jones, circa 1870

pre-raphaelite brotherhood,symbolism drawings by edward burne-jones

Mirabeau gives King Frederik II, sitting in a forest between bivouacing soldiers, a document with the "human rights", Nicolai Abildgaard

drawings by nicolai abraham abildgaard in the statens museum for kunst marker

Cartouches Modernes orné avec des [diferentes Figures] (Plate VI-1 from the set), Johann Esaias Nilson

prints in the national gallery of art (washington, d.c.)johannes esaias nilson

The back of the now destroyed house in Nørregade no. 15 in Odense. An enthroned king with scepter and sword, Dankvart Dreyer, 1844

drawings by dankvart dreyer in the statens museum for kunst danish golden age

Peter, who is on his way to the temple with John, heals a lamb, Maarten van Heemskerck, 1556

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Not used illustration for St. St. Bleachers: "Mowns". F.o.: the bride is decorated; f.n.: the carpenter at the coffin, Hans Smidth, 1886

drawings by hans smidth in the statens museum for kunst black ink

Drawing, "Armor of 1440; Best Epoch", 1887, Edwin Blashfield

drawings in the cooper–hewitt, smithsonian design museum edwin blashfield

Stuedekoration, Arnold Wallick

paintings by aron wallick in the statens museum for kunst black ink and watercolor

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises, Pieter Verbrugghen the Younger

drawings in the metropolitan museum of art drawings by pieter verbrugghen ii

Agnus dei (John the Baptist left and Christ as the Good Shepherd right), Maarten van Heemskerck, 1549

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, Domenico Antonio Vaccaro, ca. 1737

collections of the cooper hewitt, smithsonian design museum naples in art

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises, Pieter Verbrugghen the Younger

drawings in the metropolitan museum of art drawings by pieter verbrugghen ii

The state clerk Sjafan reads from the law book to King Josias, who tears his clothes, Maarten van Heemskerck, 1569

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Illustration draft for H.C. Andersen, "The Fast Runners" and "What Fatter Does is Always the Right Thing", Lorenz Frølich, 1866

drawings by lorenz frølich in the statens museum for kunst pen and black ink

Various studies. F.o.t.v. a man with a spade, f.o.t.h. a harnessed horse, f.n.t. a seated man with a wicker cage of birds, Johan Lundbye, 1845

drawings by johan thomas lundbye in the statens museum for kunst realism

Some logs and a pig in front of a barn gate, upper right study of a seated farmer, Johan Lundbye, 1847

drawings by johan thomas lundbye in the statens museum for kunst realism

Lion Hunt, Peter Paul Rubens

drawings by peter paul rubens in the national gallery of art (washington, d.c.)flemish baroque painting,baroque

Philip, Peter and John impart the Holy Spirit to the baptized men and women of Samaria through the laying on of hands, Maarten van Heemskerck, 1572

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Illustration for St. St. Bleachers: "Mowns". F.o.: Mowns reclining; f.n.: bullock cart with the coffin, Hans Smidth, 1886

drawings by hans smidth in the statens museum for kunst black ink

Drawing, Design for a Confident, ca. 1780, Richard de Lalonde, circa 1780

furniture drawings in the cooper–hewitt, smithsonian design museum artworks of france in the cooper–hewitt, smithsonian design museum

Historical Costumes, Luis Paret y Alcázar, 1780

drawings in the national gallery of art (washington, d.c.)drawings by luis paret y alcázar

Two Kings and a Woman Leaving an Elaborate Palace, Jan Gossaert, 1503/1508

drawings in the national gallery of art (washington, d.c.)drawings by jan gossaert

The Fight in the Forest, c. 1500/1503

drawings by hans burgkmair d. ä. in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)

Project for the Riding-School of the Horse Guards in Saint Petersburg - Elevation of the Side Entrance, Giacomo Quarenghi, between 1744 and 1817

drawings by giacomo quarenghi classicism

Sketchbook Folio, The Facade of Modena Cath, Felice Giani

drawings by felice giani in the cooper–hewitt, smithsonian design museum black chalk

Design for a Scene in de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête...", Hubert-François Gravelot, circa 1771

drawings by hubert-françois gravelot rococo

Design for a Bucket-Like Vessel with a Handle of Non-Figural Interlaces, on a Body Adorned with a River God and Two Putti., Girolamo Genga, 1540–50

high renaissance girolamo genga

Design for a Bucket-Like Vessel with a Handle of Non-Figural Interlaces, on a Body Adorned with a River God and Two Putti., Girolamo Genga, 1540–50

high renaissance girolamo genga

The Dirty Bride or The Wedding of Mopsus and Nisa, Pieter Brueghel the Elder, circa 1566

dutch and flemish renaissance painting,northern renaissance woodcuts by pieter bruegel the elder

Songs of Innocence and of Experience, Plate 45, "The Garden of Love" (Bentley 44), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Design for a Scene in de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête...", Hubert-François Gravelot, circa 1771

drawings by hubert-françois gravelot rococo

Drawing, Standing Bishop, ca. 1620, Belisario Corenzio, circa 1620

drawings in the cooper–hewitt, smithsonian design museum belisario corenzio

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Design for a Bucket-Like Vessel with a Handle of Two Interlaced Captives, on a Body Adorned with a Scroll, Garland, and a Spout with a Satyr's Head., Girolamo Genga, 1540–50

high renaissance girolamo genga

Songs of Innocence and of Experience, Plate 48, "The Sick Rose" (Bentley 39), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear....", William Blake, 1804 to 1820

jerusalem the emanation of the giant albion - copy e - google art project romanticism,fairy painting

Songs of Innocence and of Experience, Plate 25, "The Voice of the Ancient Bard" (Bentley 54), William Blake, 1789 to 1794

songs of experience - the voice of the ancient bard romanticism,fairy painting

Design for a Bucket-Like Vessel with a Handle of Two Interlaced Captives, on a Body Adorned with a Scroll, Garland, and a Spout with a Satyr's Head., Girolamo Genga, 1540–50

high renaissance girolamo genga

The Carrying of the Cross, Giovanni Battista Piranesi, 1747

drawings in the national gallery of art (washington, d.c.)neoclassicism

Songs of Innocence and of Experience, Plate 28, "On Anothers Sorrow" (Bentley 27), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 43, "The Little Vagabond, " (Bentley 45), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 39, "Infant Sorrow" (Bentley 48), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800, Francis Sartorius

drawings in the yale center for british art francis sartorius (the elder)

Girl riding a donkey, in the process of beating it with the reins, Johan Lundbye, 1846

drawings by johan thomas lundbye in the statens museum for kunst realism

God Enthroned Surrounded by Saints, Giovanni Battista Trotti, possibly 1585/1590

drawings in the national gallery of art (washington, d.c.)drawings by giovanni battista trotti

Songs of Innocence and of Experience, Plate 44, "The Human Abstract" (Bentley 47), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Seated Female Figure Holding a Book and a Scroll (?), Stefano da Verona

drawings in the robert lehman collection (metropolitan museum of art)veronese school

Saint Jerome in the Desert Listening to the Angels, Giovanni Battista Tiepolo, circa 1732

drawings in the national gallery of art (washington, d.c.)rococo,baroque

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

Songs of Innocence and of Experience, Plate 32, "Earth's Answer" (Bentley 31), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18), William Blake, between 1789 and 1794

songs of innocence - divine image romanticism,fairy painting

Jerusalem, Plate 19, "His children exil'd from his breast....", William Blake, 1804 to 1820

jerusalem the emanation of the giant albion - copy e - google art project romanticism,fairy painting

Songs of Innocence and of Experience, Plate 54, "The School Boy" (Bentley 53), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Seated Female Figure Holding a Book and a Scroll (?), Stefano da Verona

drawings in the robert lehman collection (metropolitan museum of art)veronese school

God the Father Seated in Clouds Surrounded by Angels and Putti, Giovanni Domenico Tiepolo, 1753/1759

drawings in the national gallery of art (washington, d.c.)drawings by giovanni domenico tiepolo

Design for a Silver Vessel with Scenes from the Passion of Christ, Paulus van Vianen, circa 1600

department of drawings and prints, metropolitan museum of art drawings by paulus van vianen

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63

religious drawings in the metropolitan museum of art francesco allegrini da gubbio

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63

religious drawings in the metropolitan museum of art francesco allegrini da gubbio

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63

religious drawings in the metropolitan museum of art francesco allegrini da gubbio

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63

religious drawings in the metropolitan museum of art francesco allegrini da gubbio

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Caricature of a Man Seen from Behind, Giovanni Battista Tiepolo, circa 1760

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Caricature of a Man Holding a Tricorne, Seen from Behind, Giovanni Battista Tiepolo, circa 1760

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

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